So, if you happen to play a killer riff along to a beat, but weren't recording, Live will have snagged it anyway so you can retrieve it.įor advanced users, Ableton's "Max for Live" kit has long allowed you to create tools like Capture, or software instruments from scratch.
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It's a low key change, but one that will please anyone who's heard the same part over and over again just to get to where you want to edit.įor those (like me) who seem to give their best performance while not recording, there's "Capture." It sounds similar to a feature in Apple's Logic Pro that remembers all MIDI input in the background, even if you're not recording. A new "Note chasing" feature solves that, meaning all notes will play even if halfway through. This means if you start playback mid-note, you won't hear it - annoying for long strings sounds, for example. Currently, if you start playing a project back, you won't hear MIDI instruments until the next note in the clip. Most musicians have struggled with getting a part of their track just right. For starters, you can now edit multiple MIDI clips side by side, and zoom in for precision work with one key. Live 10 builds on that with new tools to do more with less. Ableton designed Live to work on one screen, with clever shortcuts to jump between common tasks.
Today Ableton revealed Live 10, which promises to make it even easier to translate ideas into anthems.Īside from Live's double duty as performance and creation software, one of the biggest lures for budding producers is its workflow.
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Fans of Live are long overdue an update, as the last full release (Live 9) was four years ago. As the name suggests, it enables live performance of electronic music, but it's also a robust music making tool in its own right.
Ableton Live is popular with computer musicians thanks to its flexibility.